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Why not Cyprus for Study Abroad?


The number of U.S. students studying abroad seems to be increasing significantly on an annual basis. Although there is not adequate research to understand why, the anecdotal evidence would suggest that this generation of "Millenial" students realize the primary need of understanding others that are different than themselves to achieve success in business, politics, and general global welfare.

The 2008 IIE Open Doors Report suggests that in 2006-2007, study abroad by U.S. college students increased by 8% from the previous year and an increase of close to 150% since 1996-1997. The IIE Open Doors Report has been the primary source of data for international education enrollments in the U.S. for several decades. However, it is not clear that the significant increase in study abroad participation data is not merely a result of better data collection and reporting efforts in the last decade.

The Open Doors Report 2008 also suggests that U.S. college students are participating in programs in much more diverse geographic locations, seeing reporting increases in study abroad destinations. "The number of U.S. students studying in China, Argentina, South Africa, Ecuador and India each increased by more than 20 percent over the previous year."

However, the 2008 Open Doors Report shows insignificant participation in Cyprus. Why should a U.S. college student explore Cyprus as a relevant and meaningful destination for study abroad?

So, if participation in study abroad is increasing and students are increasingly seeking out "non-traditional" locations, why do so few U.S. college students study abroad in Cyprus? Unofficial reports would suggest that prior to 2005, fewer than five (5) U.S. college students studied abroad in Cyprus every year.

We can only speculate as to why Cyprus has not previously been a common study abroad location for U.S. students. But some of the main speculations include:

1. Few Americans know much about Cyprus

2. Because the first language in Cyprus is Greek, many American students and Study Abroad Advisors might incorrectly assume that unless students are fluent in Modern Greek language, they would not be able to study at a Cypriot institution of higher education

3. There are very few colleges and universities in Cyprus

4. Cypriot institutions have not promoted themselves to the American study abroad market

5. Because Cyprus is a bi-communal society divided by a United Nations demilitarized zone, some people may think Cyprus is a dangerous location

6. Because Cyprus is so close to the "Middle East" some people may think that it is an Arab nation and/or may have security issues related to "Middle Eastern" countries

It does not require a sophisticated investigation to learn that most of these supposed obstacles to study abroad in Cyprus should not be obstacles at all.

3 Ways to Avoid Teacher Burnout


For long time and new teachers, how to avoid teacher burnout is perhaps the top thought that they always want to solve. But with pressure, stress and routine activities in school, a majority of our teachers are left tired, uninspired and unenthusiastic even before they start their working day. This is actually a taboo that not all teachers are willing to discuss and share.

You might not know it, but you might actually be experiencing teacher burnout already. Common burnout signs that lead to such a scenario are anticipating the end of the day, the next weekend or the next probable vacation. In addition, diminished work interest, an unfinished work load and worst - quitting the said profession can occur. Little do we know that every teacher around the world is experiencing this in certain moments of their life. We may deny it but the signs are telling otherwise.

If you have been secretly experiencing this, do not fear. There are different ways to avoid teacher burnout. Try these tips and for sure it can drastically change your current state and can give great improvements towards your attitude and profession outlook.

Tip #1: Do not hesitate to ask for help. This is the hardest yet the most effective strategy to overcome teacher burnout. It is best to talk with your fellow teachers who might experience the same mixed with some colleagues who have overcome it. Manage to be open and vocal about your current situation. If you are not comfortable talking this with someone, an immediate family member can be an alternative. Share this with your loved ones like your spouse or your parent. I am pretty sure they can give you tips and ideas on how to avoid such a stressful black hole. They might even give you a hug or a kiss that can give you a quick mental boost!

Tip #2: Reserve some free time for yourself. When I say give time for yourself, it is a time away from your classroom and from the school. This can be a time that you can use to pamper yourself with the things you enjoy most. You can head up to your favourite spa or parlor and have that awaited massage, or better yet, try on a new hairdo. You can also invest this time towards a little hobby of yours. Furthermore, this can be a time for your family and friends. Stop yourself from thinking on your profession at this current state. And when you head back you will feel pretty refresh and renewed.

Tip #3: Know the reason behind your profession. New teachers are really the ones that have that enthusiastic atmosphere when they set foot in their rooms. But the longer they stay, the more dragging it will be, thereby leading to teacher burnouts. Thus, reconsider and rethink why you teach in the first place. This can rekindle the spark that you once had and can mean a great change to your current state of mind. Teaching is a noble profession. Look at it this way and you will definitely jump start a new day ahead.

There are actually more tips that you might want to add up to the initial three. But nonetheless, following the stated strategies can bring a whole new positive difference to you and your profession. Thus, avoid teacher burnouts by simply following it and for sure that certain grace a teacher must have will be evident next time you come to class.

7 Effective Strategies For Improving Communication With Parents

Communication between people who have a task to achieve is crucial. And what more important job is there than educating a child? It's a monumental undertaking, but fortunately, the efforts of a few improve exponentially when everyone is working together. Plain and simple: students will be much better scholars if parents and teachers communicate effectively.

1. It might sound like an obvious concept, but it's important to make parents feel welcome to speak with you about their child at any time. Whether they call, send a note or drop in after class, make sure parents know you appreciate their involvement and willingness to communicate. If they know you will actively listen when they have a concern, they will be much more open to hearing what you have to say when their child brings home low grades or demonstrates bad behavior. And in the meantime, they just might offer some helpful information or insight into their child that will help you immensely in class.

2. Promote opportunities for communication with parents outside of class. Many parents will attend student conferences, but few will commit to going on field trips or attending class parties. Encourage parents to attend a few "fun" activities during the year. It will make everyone more at ease as you get better acquainted. Get to know parents as people. Talk to them about their life, job or upbringing. Nothing will be more helpful to a child's education than promoting communication between teachers and parents and becoming allies in the process.

3. When discussing a student's school performance with a parent, include not only things their child should work on, but also what their child is mastering or improving in. Parents need to feel that teachers are rooting for their child's success, and you should make sure they know you are.

4. Foster the idea that parents are children's first teachers by making sure they know what their child is learning at school. Helping parents find opportunities to "teach" at home will reinforce what you are teaching their kids at school. Together, parents and teachers can communicate the same concepts and ideas so children will have even more opportunities to learn. Being a team will promote good communication.

5. Let parents know right away if their child is having difficulty with a particular unit, concept or subject. The sooner parents know, the sooner they can work on those concepts with their child at home. And that may be all it takes to get their child over the hump and on to learning the next concept. This is also effective for behavioral problems. Send a brief note or make a quick call to parents when a child's behavior is not what it should be. Nothing is worse to a parent than finding out weeks later that their child has been causing problems in the classroom.

6. Offer to communicate with parents in whatever genre they prefer, whether it's newsletters, handouts, phone calls, emails or face-to-face conferences. Give parents a choice about how they hear from you, how often you communicate and what time or day is best for them. Schedule a regular output of notes, newsletters and phone calls to ensure parents receive all the information they need.

7. If you don't feel your school's mode of communication is effective, talk with your principal about updating the system. If you aren't happy with the current system, chances are other teachers aren't either. Communicating your concerns will benefit not only your own class, but the entire school and parents, as well.

5 Interactive Ways to Teach the ABC\\\'s

Preschool is the ideal time to develop and enhance students' understanding of written and spoken language. The letters of the alphabet are the basic building blocks that lie at the heart of communication, both spoken and written.

Preschool students should be encouraged to develop concepts of print, alphabetical awareness and phonological awareness - these concepts are the cornerstones on which to build reading skills.

Preschoolers should be encouraged to love reading and feel happy and confident about the reading process. For this to occur, you must ensure that all students grasp the basic concepts, regardless of individual ability level.

As a class, your students will begin to associate words with pictures and understand that letters have very special shapes, sounds and names. They will learn that these letters form words and that these words have meaning. Reading is the next vital step.

The following activities can be used to interactively teach the ABC's.

1. POWERPOINT ABC's

PowerPoint presentations can be used to encourage visual learning skills and to help students begin to make the connection between letters, sounds, words and pictures.

Create a PowerPoint presentation. Each slide should contain a letter of the alphabet. After each slide include five words beginning with the letter, and five corresponding pictures of the words that you have chosen. Students read the letter together, the teacher sounds out each of the five words phonetically and the class reads out the letter that each of the words begins with. Students are then shown a picture of each word.

2. HUMAN ALPHABET

In this activity students learn the shape of each letter by creating the shape with their body.

Divide students in to groups of three or four.

Students will need a large clear space for this activity so move desks and chairs out of the way.

Have a fun version of the ABC song playing. Stop the music and call out a letter.

Each group must quickly lie on the floor and form the shape of the letter. If a student is not needed they can help by calling out the letter when asked.

3. THE NAME GAME

Children write their name on a piece of paper. The teacher shows the class a large flashcard with a particular letter of the alphabet written on the flashcard. When the letter is shown, students must cross that letter of their name from their card.

When all possible letters of the first, middle and last name are crossed out, students call out 'THE NAME GAME'. As each student finishes they earn a reward point or a sticker. As students become more confident, familiar sight words can be used to play the game.

4. Big A, Little A

On large pieces of Cardboard, laminate Uppercase and Lowercase letters. Divide students in to groups and have each group match the big A with the little a, the big B with the little b and so on.

5. A PICTURE TELLS A THOUSAND WORDS

Show students a range of images and have the students call out the letter that the word connected to the image begins with.

Useful Computer Lessons...

Teacher tube has many video files containing teachers and students rapping the ABC's. Download these files on to PowerPoint, if you have access in your classroom, or, play on a laptop or computer to your class.

Mindfulness and Teaching: Lessons from Dynamic English

by: Isaac Chu

One of my favorite things to do is to travel. I love getting to explore the world, from China to Israel to France and beyond. It gives you a chance to learn new cultures, meet people you'd never have encountered in your every day life, and expand your horizons both personally and professionally, if you're so inclined.

The problem with traveling is that it's somewhat hard to do on a budget. Unless you're independently wealthy, you probably can't just hop on a plane and spend six months in a new country, living as you please without regret or responsibility.

So the key, then, is to have a steady income in order to become worldly. If you're an English speaker, then, you're in luck, because there's one profession that's in demand nearly worldwide: Teach English as a second language.

For as much as certain segments of the world hate the west and Americans in particular, a far greater portion of the world has admiration for American culture and wish to experience part of it themselves. So whether you're in Beijing or Tel Aviv or Marseilles, there will be people looking to learn English. And if you have the right mentality and command of the language, you can get a sustainable job almost anywhere to teach English as a second language.

Who's looking to learn English? It depends upon the region. In the area of Alsace-Lorraine on the France/Germany border, they are near a NATO military base, called Rammstein, in the city of Kaiserslautern. Most of the soldiers there are either American or English, which means that it's beneficial for the locals to know as much English as possible. Then there's also intermarrying between American or English soldiers and the Alsacian locals, which means there will be kids needing to learn English as well.

In Beijing, you're more likely to be teaching the kids of manufacturers, financiers and businessmen of all stripes. China is the world's fastest growing economy, and its ceiling is pretty much off the charts in terms of where it could end up. As English is the de facto international language of the business community, these Chinese men and women all want to lean English themselves, and want their families to learn as well.

Elsewhere - say Brussels, or Buenos Aires - you'll find the children of diplomats and politicians who want to learn language. Teach English as a second language to them, and you'll have access to some of the most fascinating people in the world.

Motivating Students

By Barbara Gross Davis, University of California, Berkeley.
From
Tools for Teaching, copyright by Jossey-Bass.


















Research has shown that good everyday teaching practices can do more to counter student apathy than special efforts to attack motivation directly












Some students seem naturally enthusiastic about learning, but many need-or expect-their instructors to inspire, challenge, and stimulate them: "Effective learning in the classroom depends on the teacher's ability ... to maintain the interest that brought students to the course in the first place" (Ericksen, 1978, p. 3). Whatever level of motivation your students bring to the classroom it will be transformed, for better or worse, by what happens in that classroom.
Unfortunately, there is no single magical formula for motivating students. Many factors affect a given student's motivation to work and to learn (Bligh, 1971; Sass, 1989): interest in the subject matter, perception of its usefulness, general desire to achieve, self-confidence and self-esteem, as well as patience and persistence. And, of course, not all students are motivated by the same values, needs, desires, or wants. Some of your students will be motivated by the approval of others, some by overcoming challenges.
















Researchers have begun to identify those aspects of the teaching situation that enhance students' self-motivation (Lowman, 1984; Lucas, 1990; Weinert and Kluwe, 1987; Bligh, 1971). To encourage students to become self-motivated independent learners, teachers can do the following:
Give frequent, early, positive feedback that supports students' beliefs that they can do well.
Ensure opportunities for students' success by assigning tasks that are neither too easy nor too difficult.
Help students find personal meaning and value in the material.
Create an atmosphere that is open and positive.
Help students feel that they are valued members of a learning community.
Research has also shown that good everyday teaching practices can do more to counter student apathy than special efforts to attack motivation directly (Ericksen, 1978). Most students respond positively to a well-organized lesson taught by an enthusiastic teacher who has a genuine interest in students and what they learn. Thus activities you undertake to promote learning will also enhance students' motivation.

General Strategies

Capitalize on students' existing needs.

Students learn best when incentives for learning in a classroom satisfy their own motives for enrolling in the course. Some of the needs your students may bring to the classroom are the need to learn something in order to complete a particular task or activity, the need to seek new experiences, the need to perfect skills, the need to overcome challenges, the need to become competent, the need to succeed and do well, the need to feel involved and to interact with other people. Satisfying such needs is rewarding in itself, and such rewards sustain learning more effectively than do grades. Design assignments, in-class activities, and discussion questions to address these kinds of needs. (Source: McMillan and Forsyth, 1991)
Make students active participants in learning.
Students learn by doing, making, writing, designing, creating, solving. Passivity dampens students' motivation and curiosity. Pose questions. Don't tell students something when you can ask them. Encourage students to suggest approaches to a problem or to guess the results of an experiment. Use small group work. See "Leading a Discussion," "Supplements and Alternatives to Lecturing," and "Collaborative Learning" for methods that stress active participation. (Source: Lucas, 1990)
Ask students to analyse what makes their classes more or less "motivating." Sass (1989) asks his classes to recall two recent class periods, one in which they were highly motivated and one in which their motivation was low. Each student makes a list of specific aspects of the two classes that influenced his or her level of motivation, and students then meet in small groups to reach consensus on characteristics that contribute to high and low motivation. In over twenty courses, Sass reports, the same eight characteristics emerge as major contributors to student motivation:
Instructor's enthusiasm
Relevance of the material
Organization of the course
Appropriate difficulty level of the material
Active involvement of students
Variety
Rapport between teacher and students
Use of appropriate, concrete, and understandable examples

Incorporating Instructional Behaviours That Motivate Students

Hold high but realistic expectations for your students.


Research has shown that a teacher's expectations have a powerful effect on a student's performance. If you act as though you expect your students to be motivated, hardworking, and interested in the course, they are more likely to be so. Set realistic expectations for students when you make assignments, give presentations, conduct discussions, and grade examinations. "Realistic" in this context means that your standards are high enough to motivate students to do their best work but not so high that students will inevitably be frustrated in trying to meet those expectations. To develop the drive to achieve, students need to believe that achievement is possible -which means that you need to provide early opportunities for success. (Sources: American Psychological Association, 1992; Bligh, 1971; Forsyth and McMillan, 1991 -1 Lowman, 1984)

Help students set achievable goals for themselves.

Failure to attain unrealistic goals can disappoint and frustrate students. Encourage students to focus on their continued improvement, not just on their grade on any one test or assignment. Help students evaluate their progress by encouraging them to critique their own work, analyse their strengths, and work on their weaknesses. For example, consider asking students to submit self-evaluation forms with one or two assignments. (Sources: Cashin, 1979; Forsyth and McMillan, 1991)

Tell students what they need to do to succeed in your course.

Don't let your students struggle to figure out what is expected of them. Reassure students that they can do well in your course, and tell them exactly what they must do to succeed. Say something to the effect that "If you can handle the examples on these problem sheets, you can pass the exam. People who have trouble with these examples can ask me for extra help." Or instead of saying, "You're way behind," tell the student, "Here is one way you could go about learning the material. How can I help you?" (Sources: Cashin, 1979; Tiberius, 1990)

Strengthen students' self-motivation.

Avoid messages that reinforce your power as an instructor or that emphasize extrinsic rewards. Instead of saying, "I require," "you must," or "you should," stress "I think you will find. . . " or "I will be interested in your reaction." (Source: Lowman, 1990)
Avoid creating intense competition among students.
Competition produces anxiety, which can interfere with learning. Reduce students' tendencies to compare themselves to one another. Bligh (1971) reports that students are more attentive, display better comprehension, produce more work, and are more favourable to the teaching method when they work cooperatively in groups rather than compete as individuals. Refrain from public criticisms of students' performance and from comments or activities that pit students against each other. (Sources: Eble, 1988; Forsyth and McMillan, 1991)

Be enthusiastic about your subject.


An instructor's enthusiasm is a crucial factor in student motivation. If you become bored or apathetic, students will too. Typically, an instructor's enthusiasm comes from confidence, excitement about the content, and genuine pleasure in teaching. If you find yourself uninterested in the material, think back to what attracted you to the field and bring those aspects of the subject matter to life for your students. Or challenge yourself to devise the most exciting way to present the material, however dull the material itself may seem to you.

Why Literary Analysis is Subjective

We welcome back Michele Dunaway, who teaches English and journalism at Francis Howell High School in St. Charles, Missouri, when she's not writing best-selling romance novels. Michele has an important lesson for those who teach and study literature: your analysis always depends on your personal perspective.

A few years ago, after a writers' conference, I was riding to the airport in the back of a Lincoln Town Car with New York Times best-selling historical romance author Victoria Alexander. Somehow we got onto the topic of literary analysis and she told me that someone had once analyzed one of her books and that this reader told her everything she'd discovered. The funny thing was, Victoria said she'd never consciously done much of the stuff the reader reported.

As an English teacher and a novelist myself, I appreciated Victoria's candor. The truth is, a lot of authors don't sit down and create our novels saying, "Gee, I think a metaphor would work here so I better use one." Or, "Gee, the sentence I wrote used alliteration. Darn, I'm clever."

Now, I'm not saying that authors don't consciously make decisions. Of course we do. We plan and plot our novels. Yet things happen. Character names get changed midstream for one reason or another (I once changed a name simply because halfway through the book I didn't like it anymore). Plot lines get thrown out and others added. Settings move. Nothing is set in stone until the end of the book, and even then authors tweak and revise. Sometimes it's by publisher request; for example, in the original Twilight that first sold, Bella and Edward marry at the end. After the publisher wanted more books in the series, Stephenie Meyer changed the ending.

Writing is a work in process. Certainly many decisions are consciously made. Yet others simply flow from the creative part of the brain without the author even realizing what she's done. The command of language is intrinsic. The flow of words simply happens.

Thus, when you, the reader, sit down to analyze a book, the first thing you must remember is that whatever answer you come up with, it's subjective. It's your opinion, deduced from the examples you cite as the reasons for your opinion.

Unless you ask the author or read something the author says about the work, you can't know for sure that you are right. Case in point, in researching my Complete Idiot's Guide to the World of Vampires, which will be out next summer, I asked young adult author Heather Brewer if in her Chronicles of Vladimir Tod series, the school name was after Elizabeth Bathory. I thought it might be, but wasn't sure.

Here's what Heather said, "Bathory High (and the town of Bathory) are absolute props to Elizabeth Bathory. I'm a big fan of paying homage to my favorite vampires throughout history. You'll also notice that Vlad's old house is on Lugosi Trail — which is my way of thanking Bela Lugosi for portraying Dracula in such an incredible way. The books are full of things like that."

So I was right. Even better, Heather provided me with a perfect example of how authors plan to do one thing, and then, without realizing it, do another. She named her hero Vladimir Tod, but there's a twist to the tale. Here's the full story, in Heather's words:

"When I knew that I'd be writing about a vampire, I also knew his name couldn't be anything other than Vlad. It's a total throwback to Vlad Tepes, or Vlad the Impaler, of course. Because while there have been many vampires throughout history, for me, as a child devouring these stories, it all started with Dracula. The funny thing is that I chose Tod as his last name, simply because I'm a bit of a word geek and wanted a simple, one-syllable name to go at the end of his elaborate, three-syllable first name. So I chose Tod out of the air. Three months after Eighth Grade Bites debuted, I was at a signing and a Minion (what I call my readers) came up to me to let me know that she and Vlad share the same last name. Then she said, 'You know what it means in German, right?' Honestly, I had no idea. But, much to my delight, it turns out that Tod in German means 'death'. True story."

Stuff just happens while writing. It comes from the author's conscious or unconscious choice of words. I'll use alliteration just because slow, simple and seductive sounds so slick it slides off my fingertips while typing. (Did you catch the overdone alliteration in that last sentence?)

I've been thinking a lot about literary analysis lately as my daughter works her way through her tenth grade honors English class doing something her teacher calls SIFT — Symbolism, Imagery, Figurative Language, Tone and how it leads to Theme.

The struggle my daughter is having is that the answers the teacher expects seem so rigid, when, in reality, the answers are open to interpretation. What is the tone? Well, it's whatever the reader decides it is, within reason. (I'm not saying a happy tone can be called angry. But happy and joyous can be different, as can angry and livid.) Works can have more than one tone, and I may sense one, and you another. Same for theme.

It's how we derive that tone and theme that's important. Our subjective analysis is derived from our interaction with and interpretation of the work. We come to the written word with our own set of experiences, and we step into the world the author created and apply what we know to that world as we seek meaning and understanding. Our result should be very personal.

Does that mean we're dumb if we miss something or don't see it the same way as someone else? Absolutely not. That's the beauty of interpretation. It's not like science but rather art appreciation. We can both see things our own way.

Once when an English teacher colleague and I were discussing Robert Frost's "Stopping by Woods on a Snowy Evening," he said, "Well, you know the person in the poem was contemplating suicide." To which I replied, "I don't see it that way."

To interpret the poem that way would ruin my enjoyment of it. If Frost's poetry was often about reminding man of what he knows but has forgotten, then his poem should touch me on a personal level. I should be able to interpret the lines through my own lens as I derive meaning.

Besides, as reported on Cummings Study Guides, in 1958, it was poet John Ciardi who suggested in Saturday Review magazine that the woods in Frost's poem symbolize death; Frost himself scoffed at this interpretation in public appearances and in private conversations. Yet people still interpret the poem that way, and many study guides will give the suicide angle as a correct interpretation.

This example illustrates an important point. The danger in teaching literary analysis is that a teacher must recognize his or her own bias. Just because some expert said the theme of a work was one thing doesn't mean it can't be another. At one time Pluto was a planet and the earth flat.

If a teacher rakes a student over the coals during analysis, or forces the student to be nitpicky in the defense, or if the student is graded down when the student misses what the teacher expects (even when the rest of the answer is correct), then the student learns that reading and literary analysis sucks and is no longer enjoyable. When reading becomes a negative experience, kids stop reading, turning instead to other entertainment venues. They've learned that interacting with a book is torture. It shouldn't be that way.

So remember, literary analysis is subjective. People bring their own preferences and baggage to the reading experience. Some will love a book or a poem; others will hate it. Some will see things one way; others another. But that's how it works, and that's the joy and beauty of reading. The key is to teach the reader how to best defend his opinion, and then respect that opinion. And if you disagree with his interpretation, well, enjoy the ensuing discussion . After all, reading should inspire us to think and dialogue with each other. It's not a competition where we beat each other down and may the best answer win. That's not healthy for anyone, reader or author (who might not ever have meant that in the first place).

To end, I will leave you with one of my favorite poems, by Stephen Crane.

"Think as I think," said a man,
"Or you are abominably wicked;
You are a toad."

And after I had thought of it,
I said, "I will, then, be a toad."

Five lines and so many ways to interpret what I mean by ending with this: here's to all of us being literary analysis toads. Cheers.

Michele Dunaway is an award-winning English and journalism teacher at Francis Howell High School in St. Charles, MO. She advises the school newspaper, yearbook and news website. In addition, she also practices what she teaches by authoring professional journal articles and she's published over 22 romance novels for Harlequin Enterprises. She is currently writing The Complete Idiot's Guide to the World of Vampires.

Constructivist Learning

by Dimitrios Thanasoulas, Greece

http://www3.telus.net/linguisticsissues/constructivist.html


As a philosophy of learning, constructivism can be traced to the eighteenth century and the work of the philosopher Giambattista Vico, who maintained that humans can understand only what they have themselves constructed. A great many philosophers and educationalists have worked with these ideas, but the first major contemporaries to develop a clear idea of what constructivism consists in were Jean Piaget and John Dewey, to name but a few. Part of the discussion that ensues grapples with the major tenets of their philosophies, with a view to shedding light on constructivism and its vital contribution to learning. As a revealing gloss on this issue, it could be said that constructivism takes an interdisciplinary perspective, inasmuch as it draws upon a diversity of psychological, sociological, philosophical, and critical educational theories. In view of this, constructivism is an overarching theory that does not intend to demolish but to reconstruct past and present teaching and learning theories, its concern lying in shedding light on the learner as an important agent in the learning process, rather than in wresting the power from the teacher.

Within the constructivist paradigm, the accent is on the learner rather than the teacher. It is the learner who interacts with his or her environment and thus gains an understanding of its features and characteristics. The learner constructs his own conceptualisations and finds his own solutions to problems, mastering autonomy and independence. According to constructivism, learning is the result of individual mental construction, whereby the learner learns by dint of matching new against given information and establishing meaningful connections, rather than by internalising mere factoids to be regurgitated later on. In constructivist thinking, learning is inescapably affected by the context and the beliefs and attitudes of the learner. Here, learners are given more latitude in becoming effective problem solvers, identifying and evaluating problems, as well as deciphering ways in which to transfer their learning to these problems.

If a student is able to perform in a problem solving situation, a meaningful learning should then occur because he has constructed an interpretation of how things work using preexisting structures. This is the theory behind Constructivism. By creating a personal interpretation of external ideas and experiences, constructivism allows students the ability to understand how ideas can relate to each other and preexisting knowledge (Janet Drapikowski, personal communication).

The constructivist classroom presents the learner with opportunities for “autopoietic” learning (here, I deploy the meaning of Francisco Varela’s term in a context different to the original one) with a view to helping learners to build on prior knowledge and understand how to construct new knowledge from authentic experience—certainly a view in keeping with Rogers’ experiential learning (Rogers, 1969, 1994). C. Rogers, one of the exponents of experiential learning—the tenets of which are inextricably related to, and congruent with, those of constructivism—made the distinction between cognitive learning, which he deemed meretricious, and experiential learning, which he considered significant. For him, the qualities of experiential learning include:

personal involvement;

learner-initiation;

evaluation by learner; and

pervasive effects on learner (see the web document: http://www.educationau.edu.au/archives/cp/04f.htm)

Rogers’ humanistic approach to learning is also conducive to personal change and growth, and can facilitate learning, provided that the student participates completely in the learning process and has control over its nature and direction; it is primarily based upon direct confrontation with practical, social, personal or research problems; and, self-evaluation is the principal method of assessing progress or success. ibid.)

Interestingly, contrasting this approach with the typical behaviourist classroom, where students are merely passive “receptacles” of information from the teacher and the textbook, is rather revealing. We will come to that later on in the study. At this juncture, it is important to briefly discuss the theories of John Dewey, Jean Piaget, and Jerome Bruner that have certainly influenced our stance toward the nature of learning and, concomitantly, teaching. For Dewey, knowledge emerges only from situations in which learners have to draw them out of meaningful experiences (see Democracy and Education, 1916 and Experience and Education, 1938). Further, these situations have to be embedded in a social context, such as a classroom, where students can take part in manipulating materials and, thus, forming a community of learners who construct their knowledge together. Students cannot learn by means of rote memorisation; they can only learn by “directed living,” whereby concrete activities are combined with theory. The obvious implication of Dewey’s theory is that students must be engaged in meaningful activities that induce them to apply the concepts they are trying to learn.

Piaget's constructivism is premised on his view of the psychological development of children. Within his theory, the basis of learning is discovery: ‘To understand is to discover, or reconstruct by rediscovery, and such conditions must be complied with if in the future individuals are to be formed who are capable of production and creativity and not simply repetition’ (Piaget, 1973). According to Piaget, children go through stages in which they accept ideas they may later discard as wrong. Understanding, therefore, is built up step by step through active participation and involvement. However, applying Piaget’s theory is not so straightforward a task as it may sound.

(see http://curriculum.calstatela.edu/faculty/psparks/theorists/501const.htm)

According to Bruner, learning is a social process, whereby students construct new concepts based on current knowledge. The student selects information, constructs hypotheses, and makes decisions, with the aim of integrating new experiences into his existing mental constructs. It is cognitive structures that provide meaning and organization to experiences and allow learners to transcend the boundaries of the information given. For him, learner independence, fostered through encouraging students to discover new principles of their own accord, lies at the heart of effective education. Moreover, curriculum should be organized in a spiral manner so that students can build upon what they have already learned. In short, the principles that permeate Bruner’s theory are the following (see Bruner, 1973):

Instruction must be commensurate with the experiences that make the student willing and able to learn (readiness).

Instruction must be structured so that it can be easily understood by the student (spiral organization).

Instruction should be designed to facilitate extrapolation (going beyond the information given).

It could be argued that constructivism emphasizes the importance of the world knowledge, beliefs, and skills an individual brings to bear on learning. Viewing the construction of new knowledge as a combination of prior learning matched against new information, and readiness to learn, this theory opens up new perspectives, leading individuals to informed choices about what to accept and how to fit it into their existing schemata, as well as what to reject. Recapitulating the main principles of constructivism, we could say that it emphasises learning and not teaching, encourages learner autonomy and personal involvement in learning, looks to learners as incumbents of significant roles and as agents exercising will and purpose, fosters learners’ natural curiosity, and also takes account of learners’ affect, in terms of their beliefs, attitudes, and motivation. In addition, within constructivist theory, context is accorded significance, as it renders situations and events meaningful and relevant, and provides learners with the opportunity to construct new knowledge from authentic experience. After all,

Learning is contextual: we do not learn isolated facts and theories in some abstract ethereal land of the mind separate from the rest of our lives: we learn in relationship to what else we know, what we believe, our prejudices and our fears. On reflection, it becomes clear that this point is actually a corollary of the idea that learning is active and social. We cannot divorce our learning from our lives (Hein, 1991, see www.exploratorium.edu/IFI/resources/constructivistlearning.html).

What is more, by providing opportunities for independent thinking, constructivism allows students to take responsibility for their own learning, by framing questions and then analyzing them. Reaching beyond simple factual information, learners are induced to establish connections between ideas and thus to predict, justify, and defend their ideas (adapted from In Search of Understanding: The Case for Constructivist Classrooms by Jacqueline G. Brooks and Martin G. Brooks, Alexandria, VA: Association for Supervision and Curriculum Development, 1993).

Having expatiated upon the main tenets of constructivism, let us now content ourselves with juxtaposing constructivism with other theories, objectivist theories that is, and, more specifically, contiguity theory. Byrnes (1996) and Arseneau and Rodenburg (1998) contrast objectivist and constructivist approaches to teaching and learning.

Objectivist View

Constructivist View

Knowledge exists outside of individuals and can be transferred from teachers to students.

Knowledge has personal meaning. It is created by individual students.

Students learn what they hear and what they read. If a teacher explains abstract concepts well, students will learn those concepts.

Learners construct their own knowledge by looking for meaning and order; they interpret what they hear, read, and see based on their previous learning and habits. Students who do not have appropriate backgrounds will be unable to accurately “hear” or “see” what is before them.

Learning is successful when students can repeat what was taught.

Learning is successful when students can demonstrate conceptual understanding.

Amongst the din of shifting paradigms, a theory that used to dominate the field but is not well-known is contiguity theory, an exponent of which is E. Guthrie. The classic experimental paradigm for contiguity theory is cats learning to escape from a puzzle box (Guthrie & Horton, 1946). Guthrie used a glass box which allowed him to photograph the movements of cats. These photographs showed that cats learned to repeat the same movements associated with the preceding escape from the box. In this vein, improvement comes about when irrelevant movements are unlearned or not included in successive associations. Drawing upon behaviouristic principles, contiguity theory sets out to show that, in order for conditioning to occur, the organism must actively respond; inasmuch as learning involves the conditioning of specific behaviours, instruction boils down to presenting very specific tasks; exposure to variations in stimulus patterns is necessary in order to produce a generalized response; and the last response in a stimulus-response situation should be correct since it is this one that will be associated (see http://www.educationau.edu.au/archives/cp/04b.htm).

Within a positivistic tradition, so to speak, under which come the theories of behaviourism, contiguity theory, and many others, the learner was, and still is, seen as relatively passive, ‘simply absorbing information transmitted by a didactic teacher’ (Long, 2000: 6). In the universe created by these paradigms, the powerless learner is “worlds apart” from the omniscient and powerful teacher, whose main concern is to ‘deliver a standard curriculum and to evaluate stable underlying differences between children’ (ibid.). Against this background, the cognitive paradigm of constructivism has been instrumental in shifting the locus of responsibility for learning from the teacher to the learner, who is no longer seen as passive or powerless. The student is viewed as an individual who is active in constructing new knowledge and understanding, while the teacher is seen as a facilitator rather than a “dictator” of learning. Yet, despite its “democratic” nature, many contemporary philosophers and educationalists have tried to demolish or vitiate some of its principles. Such a discussion is outside the remit of this study, of course. We will only briefly mention George Hein (1991, see www.exploratorium.edu/IFI/resources/constructivistlearning.html), who voices some reservations about constructivist learning.

For Hein, constructivism, although it appears radical on an everyday level, ‘is a position which has been frequently adopted ever since people began to ponder epistemology’ (ibid.). According to him, if we align ourselves with constructivist theory, which means we are willing to follow in the footsteps of Dewey, Piaget and Vygotsky, among others, then we have to run counter to Platonic views of epistemology. We have to recognize that knowledge is not “out there,” independent of the knower, but knowledge is what we construct for ourselves as we learn. Besides, we have to concede that learning is not tantamount to understanding the “true” nature of things, nor is it (as Plato suggested) akin to remembering perfect ideas, ‘but rather a personal and social construction of meaning out of the bewildering array of sensations which have no order or structure besides the explanations…which we fabricate for them’ (ibid.).

It goes without saying that learners represent a rich array of different backgrounds and ways of thinking and feeling. If the classroom can become a neutral zone where students can exchange their personal views and critically evaluate those of others, each student can build understanding based on empirical evidence. We have no intention of positing methods and techniques for creating a “constructivist classroom.” After all, classrooms are, and should be, amenable and sensitive to a whole lot of approaches to teaching and learning, and a slavish adherence to the letter rather than the spirit of education is bound to prove detrimental. It should be borne in mind that the theory of constructivism, with which we have been concerned, is not yet another “educational decree.” Like philosophy, constructivism can lead to its own de-construction, in the sense that it forges the very structures and associations that could possibly demolish it. It is a meta-theory, in that it fosters a meta-critical awareness. A constructivist orientation to learning is unique because at its heart lies the individual learner in toto, rather than dimly perceived “apparitions” of her essence. Constructivism is a modern version of human anatomy, in the sense that it is based on, and provides insights into, brain mechanisms, mental structures, and willingness to learn.

How to be a teacher and get a teaching job

So, you want to be a teacher?

Before you take the step to officially become a teacher, you really should know what it entails. It is not as fun as the movies show it, nor is it as hard as the movies show it. But it is fun and hard at the same time. Here are some questions you may need to ask yourself before trying to be a teacher:

A teacher should like being around kids.
Do I like children? Can I be in a room full of kids all day long?

A teacher should have patience.
Can I handle saying something over? Can I take failure on the first try?

A teacher works at home too.
Can I handle doing paper work, grading, planning, etc. at home?

A teacher gets it from all sides.
Can I work with a principal, other teachers, and parents? Can I take suggestions and criticisms?

A teacher puts in long hours.
Can I work before and after school? Do I need to be home at a certain time? Can you attend meetings before and after school?

A teacher must supply some teaching materials and teaching extras.
Do I have a problem spending a few dollars a month to make teaching easier, entertaining, and engaging?

Speaking of materials, a teacher sometimes has to face a shortage of student materials.
Can I handle this? Or will I be constantly complaining at the school board and other staff?

A Teacher has one of the greatest responsibilities in the world.
Can I handle being in charge of a student's future? They only get one shot with me!

Becoming a teacher can be a tedious and strenuous task. You must pass tests, take a dozen college classes that may be boring, listen to mentor teachers, practice teaching, and many times while you are teaching.
Can you get organized? Can you be prepared to tough it out? Becoming a teacher can be stressful.

A teacher sometimes needs to change his or her ways.
Can you be flexible and try new things? Can you take direction from a person higher up?

Are you prepared to take the political pressure and do the right thing for your students?

Teachers must manage a classroom full of kids, as well as maintain discipline.
Think about that long and hard. Imagine yourself in front of 35 kids. Can you do it?

If you answered yes to ALL of the above questions, you may be the right person to be a teacher!

One last thing. You should visit a local school and sit in on a class. Stick with a teacher all day and see what it is like. Your local college may be able to set this up. Or, your local school may need volunteers or you could visit your own child's classroom. It is a good idea to talk to teachers before starting down the path.

How to become a teacher

If you have decided that teaching is right for, the first thing you will need is a bachelor's degree. Most any subject will do, but there are requirements for elementary and secondary teachers that you need to be aware of. The best thing is to contact your college or university's school of education before completing a bachelor's degree. Then, you will take the right classes.

Because every state is different, and many counties and school districts as well, you really need to be up close and personal with your local college's department of education. Only they will have the answers. No teaching article will tell you everything you need to know. Impossible. There are so many different ways to become a certified teacher, you need to do the research before starting. Becoming a teacher really depends on where you live. There are a few definites. You will need a college degree. You probably will have to pass a test. You will need a health clearance, such as TB test. You will get a background check. You will probably need to know CPR. Do any of these things surprise you? Get used to it. Many states, such as California, have a lot of hurdles. Some states have fewer. Again, it is imperitive that you look into what your state requires to be a classroom teacher.

REMEMBER: First decide if teaching is really for you. Second, to be a teacher requires a college degree. Whether you already have one, are working on one, or just starting, your third step is to contact the school's department of education or teacher program. Then, you can start checking off the things done and work one the ones you need to complete! Teaching is a rewarding career, but it is not a quick process.

Alternate Ways to Become a Teacher and get Certified

Other Routes to Teacher Certification

Most states have alternate ways to become a teacher than the normal way of completing college and get certified. Teaching internships are very popular. These will allw people with a bachelor's degree in almost any subject to start teaching in the classroom, and at the same time work on a teaching credential. Normally the teacher needs to apply and be accepted to the teacher program from a designated college, but completes the program while teaching. This eliminates the need for student teaching. Don't worry about not having experience. Teachers selected for this process go to meetings first and are mentored by a veteran teacher. Be warned, however, that this can be a more grueling process than the normal way. Working full time as a teacher and going to school (yes you are required to attend classes) is a tough task.

Other Ways to Become a Teacher

Troops to Teachers is a program for honorably discharged veterans to begin a teaching career. They do not certify you, but do give you all the help you need in completing teaching requirements and even giving out stipends in exchange for teaching service. They even help you find a job.

Teach for America is a program designed for recent college graduates and working professionals. This is a two year commitment to teach in under-served areas. They will train you to become a teacher.

Private and church-related schools normally do not require a teaching credential or certificate. Send out resumes to private schools in your area.

Americorps is not a teacher program, but if you are between 17 and 24, either a college student or graduate, you can get a stipend for volunteering to tutor kids. You can get some student loan forgiveness and some experience working with kids.

teach-now.org is The National Center for Alternative Certification for teachers. They can help you locate and identify many ways to become a teacher.

Teaching Definite and Indefinite Articles

A common question from students and teachers of English as a second language is When do I use the indefinite articles 'a,' 'an,' and 'some'* (which acts like an indefinite plural article), and when do I use the definite article 'the'?

The truth is that the answer is extremely complex--too complex in fact; it constantly gives me a headache. You could set out to list examples of usage as in Swan's Practical English Usage or Fowler's Modern English Usage, but I have a feeling that your students will quickly get lost.

Instead, I would like to propose a few basic rules that your students could get a lot of mileage out of. I would also like to phrase these rules in a non-standard way to make them more accessible for the ESL/EFL audience. Finally, I would also like to provide a few worksheets so that students can get a feel for these rules in use. So keep in mind that the purpose of this article is to simplify an extremely complex system so that it is understood on a basic level by ESL/EFL students and not to account for every usage of articles with nouns in the English language.

The first rule explains when we use 'the' and when we use 'a', 'an', or 'some'. The second rule deals with unique nouns, which usually require a definite article. The third rule explains why we sometimes leave articles out. As I stated above, these three rules represent an over simplification of a complex system, but they are easy to understand (and teach) and ESL/EFL students should be able to grasp them.

Why is it so difficult? I suspect there are several influencing factors. First of all, articles belong to a system of determiners. And the decision to use an article or not depends on what other determiners you are using along with the noun. And it depends on the context in which you are using the noun. If you look at the list of statements about ducks to the right, it is clear that context and co-occurring determiners are a factor in using (or not) an article. In general, articles should probably not be taught in isolation, but should be included in the wider scope of the system of determiners and that will be the focus of part II on this discussion on articles.

I also suspect adults have a difficult time with articles because the nature of input that they receive is more complicated and rule-breaking compared to the input that children receive. Children deal in concrete nouns and the basic rules usually apply making it easier for children to internalize the rules. Adults on the other hand deal with abstract nouns for which the rules are less clear and sometimes contradictory. And so, children get a foundation from which they learn exceptions and adults see only an apparent random assignment of articles to nouns. But that's just my personal speculation.